Tuesday, March 27, 2012

House of Thieves [Kindle Edition]


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A dusty, dreamy Hawaii rife with sexual frustration, loneliness and adolescent heartbreak could be the setting for the nine stories of Hemmings's bold debut collection. Misery adores company in "Final Girl," by which an individual mother discovers a pornographic magazine in her own 13-year-old son's room and turns on him despite herself, wishing he'd a greater portion of "that character-developing sadness. Instead, he's a kid who sings in the car." In the title story, intrepid preteen Kora is anxious to suit into her clique of Lolitaesque teenage friends—island girls "doing bad things in pretty places"—and is frightened of losing her best friend, Wendy, when Wendy's delinquent brother, Perry, resurfaces. In "Begin by having an Outline," a lady is haunted by her imprisoned father, a notorious drug dealer; in "Island Cowboys," embittered, indebted Pete covets his brother's easy prosperity and finds forbidden solace in his niece. A 16-year-old boy pines for his social-climbing nanny in "Secret Clutch," only to discover that she has had up regarding his wealthy father; a teenage girl and her father's mistress produce a disturbing bond in "Location Scouts." At times Hemmings steers her troubled protagonists in predictable directions, but overall these are fresh, acerbic tales, offering a distinctive perspective on everyday routine in the vacation paradise. Agent, Witherspoon Associates. (June 20)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Just as the individual land masses that make in the Hawaiian Islands are worlds unto themselves, so, too, include the characters Hemmings depicts with this penetrating exploration with the nature of families and the individuals who are part of them. Disappointment and isolation, frustration and regret inform each story's conflict, whether or not this is a father unprepared to raise his 10-year-old daughter while her mother lies inside a coma, as with "The Minor Wars," or perhaps a pack of teenage girls flirting with independence in "House of Thieves." Hemmings takes her characters' cues from your composition with the islands she knows so well, their volcanic cores smoldering just under the surface, either instructed to lie dormant or prone to violent outbursts. Set up against the tropical backdrop of sun, sand, and surf, Hemmings' stories are the greater surreal for his or her perceptive juxtaposition of tumultuous emotions within this type of seemingly benign paradise. With a dynamic and imaginative voice, Hemmings infuses her stories with keen insight, and lavishes her characters with profound empathy. Carol Haggas
Copyright © American Library Association. All rights reserved





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